나이젤 샤프란(Nigel Shafran)의 새 책은 서로 연결된 5개의 사진 시리즈와 함께, 국내 장면의 공통점과 엮어낸다. 슈퍼마켓 계산대나 지하 에스컬레이터의 사진처럼, 때로는 노골적인 전진감이 있고, 때로는 암묵적이고 감정적으로, 사진 작가가 그의 어머니의 마지막 집에 있는 소지품 목록에 직면할 때처럼 때로는 암묵적이고 더 감정적으로 충전된다.
∙ Pages - 176 pages
∙ Dimension - 272 x 210 x 20 mm
∙ Weight - 0.9 kg
∙ ISBN -9781910164426
∙ Publisher - MACK
Nigel Shafran’s new book takes five interconnected series of photographs and weaves them together with the common thread of domestic scenes. There is a constant sense of forward movement that is sometimes overt, as in the photographs of supermarket checkouts or underground escalators; sometimes implicit and more emotionally charged, as when the photographer faces the inventory of possessions in his mother’s last house. But in each case these photographs deal as much with what has been left behind as with what lies ahead. They carry the inevitability of change and the psychological undertow of time passing moving forward. Nigel Shafran is a photographer and artist. His work has been exhibited at Tate and the Victoria and Albert Museum.
Nigel Shafran’s new book takes five interconnected series of photographs and weaves them together with the common thread of domestic scenes. There is a constant sense of forward movement that is sometimes overt, as in the photographs of supermarket checkouts or underground escalators; sometimes implicit and more emotionally charged, as when the photographer faces the inventory of possessions in his mother’s last house. But in each case these photographs deal as much with what has been left behind as with what lies ahead. They carry the inevitability of change and the psychological undertow of time passing moving forward. Nigel Shafran is a photographer and artist. His work has been exhibited at Tate and the Victoria and Albert Museum.