‘At the end of the day, I’m just trying to tell stories.’
Lydia Ourahmane
The May issue of frieze magazine is dedicated to the 61st Venice Biennale. Evan Moffitt profiles artist Lydia Ourahmane ahead of her solo at the Nicoletta Fiorucci Foundation. Plus, a roundtable on performance at the Biennale brings together Florentina Holzinger(Austria), Miet Warlop (Belgium), Dries Verhoeven (Netherlands) and Ei Arakawa-Nash (Japan).
Profile: Lydia Ourahmane
‘The institution is just the diving board. I never know where I’m going to land.’ From a plague island in Venice to a gold tooth embedded in her jaw, the artist traces the afterlives of migration, memory and possession.
Roundtable: Short-Circuiting Spectacle
‘There’s a sense that if the world is complicated, the body is something you can control.’ Four artists debate performance art’s rising prominence and influence across the pavilions.
Also featuring
Matthew Holman pens a thematic essay on the history of protest at the Biennale, rethinking what it might tell us about contemporary activism. Aram Moshayedi speaks with Canada’s pavilion artist Abbas Akhavan on censorship, national representation and the refusal to perform identity. In 1,500 words, Lubaina Himid tells senior editor Vanessa Peterson about her presentation at the British Pavilion, foregrounding questions of colonial displacement, translation and national mythmaking.
Columns: Next Generation
Alastair Curtis examines how Bugarin + Castle, representing the Scottish Pavilion, rework charivari tradition to confront stilted gender dynamics and trans shaming. Louisa Elderton considers how Sung Tieu approaches the fraught legacy of the German Pavilion through the lens of her own migration story. Elena Comay del Junco traces Marina Xenofontos’ evocation of Varosha’s nightclub ruins, exposing Cyprus’s histories of colonization and displacement. Eva Díaz looks at how ancient Greece inspired Natalia Lassalle-Morillo’s depictions of Puerto Rico, while Harry Burke outlines how Li Yi-Fan’s presentation at the Taiwan Pavilion deploys darkly comic MetaHuman avatars to probe AI and digital embodiment.
Finally, associate editor Angel Lambo responds to a single work by Sammy Baloji. Lydia Ourahmane contributes a ‘To Do’ list and, for the back of the magazine, associate editor Sean Burns pens a postcard from Paris.
Important Shipping Advisory: Shipping to the Gulf region is temporarily unavailable. Orders placed now will be processed and delivered as soon as regional shipping operations resume. We apologise for any inconvenience.
배송안내
배송 지역 | 대한민국 전지역
배송비 | 4,000원 (50,000원 이상 결제시 무료배송) / 제주도, 도서산간 추가배송비 있음.
배송기간 | 주말 공휴일 제외 2~5일
- 모든 배송은 택배사 사정으로 지연될 수 있습니다.
교환 및 반품 안내
- 고객 변심으로 인한 교환/반품은 상품 수령 후 7일 이내 가능합니다.
- 고객 귀책 사유로 인한 반품의 경우 왕복 택배비는 고객 부담입니다.
- 반품접수 기한이 지난 경우, 제품 및 패키지 훼손, 사용 흔적이 있는 제품은 교환/반품이 불가합니다.
‘At the end of the day, I’m just trying to tell stories.’
Lydia Ourahmane
The May issue of frieze magazine is dedicated to the 61st Venice Biennale. Evan Moffitt profiles artist Lydia Ourahmane ahead of her solo at the Nicoletta Fiorucci Foundation. Plus, a roundtable on performance at the Biennale brings together Florentina Holzinger(Austria), Miet Warlop (Belgium), Dries Verhoeven (Netherlands) and Ei Arakawa-Nash (Japan).
Profile: Lydia Ourahmane
‘The institution is just the diving board. I never know where I’m going to land.’ From a plague island in Venice to a gold tooth embedded in her jaw, the artist traces the afterlives of migration, memory and possession.
Roundtable: Short-Circuiting Spectacle
‘There’s a sense that if the world is complicated, the body is something you can control.’ Four artists debate performance art’s rising prominence and influence across the pavilions.
Also featuring
Matthew Holman pens a thematic essay on the history of protest at the Biennale, rethinking what it might tell us about contemporary activism. Aram Moshayedi speaks with Canada’s pavilion artist Abbas Akhavan on censorship, national representation and the refusal to perform identity. In 1,500 words, Lubaina Himid tells senior editor Vanessa Peterson about her presentation at the British Pavilion, foregrounding questions of colonial displacement, translation and national mythmaking.
Columns: Next Generation
Alastair Curtis examines how Bugarin + Castle, representing the Scottish Pavilion, rework charivari tradition to confront stilted gender dynamics and trans shaming. Louisa Elderton considers how Sung Tieu approaches the fraught legacy of the German Pavilion through the lens of her own migration story. Elena Comay del Junco traces Marina Xenofontos’ evocation of Varosha’s nightclub ruins, exposing Cyprus’s histories of colonization and displacement. Eva Díaz looks at how ancient Greece inspired Natalia Lassalle-Morillo’s depictions of Puerto Rico, while Harry Burke outlines how Li Yi-Fan’s presentation at the Taiwan Pavilion deploys darkly comic MetaHuman avatars to probe AI and digital embodiment.
Finally, associate editor Angel Lambo responds to a single work by Sammy Baloji. Lydia Ourahmane contributes a ‘To Do’ list and, for the back of the magazine, associate editor Sean Burns pens a postcard from Paris.
Important Shipping Advisory: Shipping to the Gulf region is temporarily unavailable. Orders placed now will be processed and delivered as soon as regional shipping operations resume. We apologise for any inconvenience.
배송안내
배송 지역 | 대한민국 전지역
배송비 | 4,000원 (50,000원 이상 결제시 무료배송) / 제주도, 도서산간 추가배송비 있음.
배송기간 | 주말 공휴일 제외 2~5일
- 모든 배송은 택배사 사정으로 지연될 수 있습니다.
교환 및 반품 안내
- 고객 변심으로 인한 교환/반품은 상품 수령 후 7일 이내 가능합니다.
- 고객 귀책 사유로 인한 반품의 경우 왕복 택배비는 고객 부담입니다.
- 반품접수 기한이 지난 경우, 제품 및 패키지 훼손, 사용 흔적이 있는 제품은 교환/반품이 불가합니다.
